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Matthias Theodor Vogt
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Matthias Theodor Vogt : ウィキペディア英語版
Matthias Theodor Vogt

Matthias Theodor Vogt (born 1959 in Rome) is a German historian and musicologist. Since 1997 he has been professor of cultural policy and cultural history at the Hochschule Zittau/Görlitz. Vogt is the founding director of the Saxonian Institute for Cultural Infrastructure (in German: Institut für kulturelle Infrastruktur Sachsen. He studied theatre studies, philosophy, German studies and musicology.〔http://kultur.org/images/media/vogt_cv_2011.pdf〕 Since the 1990s he has been examining issues of cultural transformation in Europe as well as the politics and the economics of culture. Vogt is the author and/or editor of more than a hundred works published widely across Europe Berlin, Brussels, Frankfurt, New York, Oxford, Vienna, Tokyo. In addition, he works with organizations concerned for the development of culture under the aegis of UNESCO. Vogt, who has worked for the German government and regional authorities, is regarded in Europe, and in particular in Germany, as both a reformer of cultural policies, and as a scholar in the field of culture policies.
== Life and research work ==
Matthias Theodor Vogt grew up near Freiburg im Breisgau. His grandfather Theodor Spira was expelled from Königsberg University by the National Socialists.〔Anglia – Zeitschrift für englische Philologie. Band 1961, Heft 79, Seiten 249–252. ISSN 1865-8938 (Online), ISSN 0340-5222 (Print), doi:10.1515/angl.1961.1961.79.249, November 2009.〕 From the age of five, Vogt learned to play the flute. From 1971 he studied violoncello at the Conservatory in Basel with Nikolaus Uhlenhut, later with Atis Teichmanis from the Freiburg Musikhochschule, and composition under the direction of Luigi Nono and Hans-Peter Haller.〔Róża Różańska: Interview with M. Th. Vogt (in Polish language): http://polskamuza.eu/wywiady_archiwum.php?id=563〕
On leaving grammar school, Vogt attended the faculties of theatre studies, philosophy, musicology and German studies at universities in Munich (Ludwig Maximilian University), Aix-en-Provence Aix-en-Provence, Paris IV and Berlin (Technische Universität). In 1983, he received a master's degree under the supervision of Klaus Lazarowicz and Susanne Vill at Ludwig-Maximilians-Universität, and in 1988 obtained his doctorate under the musicologist Carl Dahlhaus at Technische Universität in Berlin. After his master's degree he worked at key venues in the music world including the Vienna State Opera, the Salzburg Festival, the Teatro alla Scala di Milano, Venice Biennale, the Théâtre du Châtelet in Paris, the State Operetta Theatre at Moscow, the National Theatre at Ruse and the Aquario Romano at Rome.〔 In 1986–89 he edited the programme book of the Bayreuth Festival,〔"without question the most beautifully, lavishly and scrupulously produced theatrical programmes in the world." Bernard Levin, The Times, London 3 September 1988〕 As a musician and musicologist, his focus is oriented towards contemporary music and the role of music in theatre and opera productions. He collaborated with Luigi Nono, Luciano Berio and Karlheinz Stockhausen at the world premières of "Prometeo", "Un Re in Ascolto" and "Samstag aus Licht". Since 1983, Vogt has been teaching in four languages: English, German, French and Italian. He has lectured as a guest professor at several universities in Europe, Japan and the US. He organizes a number of events and conferences for students such as a series of meetings of young musicians with professionals from the field of science.〔Report from the Cross the Borders conference (in English): http://kulturoteka.tumblr.com/post/28903068285/cross-the-borders-raport〕

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